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Battutosso / Bone Pulse (And Other Nature Musics)

by Philip Corner

supported by
Jordan C Perry
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €6 EUR  or more

     

  • Record/Vinyl + Digital Album

    FIRST EDITION (#300): Edition of 300 copies on black vinyl. Single cover.

    Includes unlimited streaming of Battutosso / Bone Pulse (And Other Nature Musics) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 300  1 remaining

      €20 EUR or more 

     

  • Record/Vinyl + Digital Album

    TEST-PRESSING.
    White labels. Limited edition of 3 copies. White sleeve signed by Philip Corner and hand-numbered by the artist AP2 (advance pressing #2). Including one insert.

    Includes unlimited streaming of Battutosso / Bone Pulse (And Other Nature Musics) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 3  1 remaining

      €75 EUR or more 

     

1.
Battuttosso / Bone Pulse 14:17
2.
The 100 Most Beautiful Cows’ Bells Or “Pretend To Be A Cow" 05:24
3.
Breath - Flute - Rubbing Rock 14:45
4.
Geoff Hendricks’ Xylophone Sculpture 00:41

about

Ricerca Sonora proudly presents the new PHILIP CORNER album titled "Battutosso/Bone Pulse (and other Nature Musics)".
Philip Corner (b. 1933) studied composition with Henry Cowell and Otto Luening and musical analysis with Oliver Messiaen. During the 1960s and 70s he was an active member of Fluxus, a founder (along with James Tenney and Malcolm Goldstein) of the Tone Roads Chamber ensemble, the resident musician and composer for the Judson Dance Theatre, and co-founder of Gamelan Son Of Lion (with Barbara Benary and Daniel Goode).
"Battutosso" presents four previously unpublished compositions by Philip Corner, recorded in various locations. The first one is a very hypnotic and beating piece recorded in July, 1989: Philip Corner has used some bones to create his percussive and pulsating piece. The second track recorded with bells creates a "liquid" sound, recorded in Zouz (western Alps) in July 1992, with Kurt Hofer (the cowherd) and Laura Donnelly as dancer. The first track on Side B has a noisy background with a natural flute played by Kurt Hofer. The fourth and last track was a short piece recorded at Caterina Gualco's "Genova - Expo" (July, 1997) with Geoff Hendricks' xylophone sculpture.

credits

released June 10, 2013

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Ricerca Sonora Apulia, Italy

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